Art Blog By Bob #navbar-iframe { display:block } function setAttributeOnload(object, attribute, val) { if(window.addEventListener) { window.addEventListener("load", function(){ object[attribute] = val; }, false); } else { window.attachEvent('onload', function(){ object[attribute] = val; }); } } skip to main | skip to sidebarArt Blog By Bob"To me there is no past or future in art. The art of the great painters who lived in other times is not an art of the past; perhaps it is more alive today than it ever was."--Pablo PicassoSophisticated Lady With all eyes set to turn to Washington, DC, and the inauguration of Barack Obama in a few weeks, Americans become hyperaware momentarily of the pomp and circumstances surrounding the presidency, including the perceptions of the First Lady. Since 1961, the standard by which all other First Ladies have been measured has been Jacqueline Bouvier Kennedy. “Jackie” shaped the style of the Kennedy presidency and contributed greatly to the myth of “Camelot” surrounding those short three years. Margaret Leslie Davis’ Mona Lisa in Camelot: How Jacqueline Kennedy and Da Vinci’s Masterpiece Charmed and Captivated a Nation looks back at the highest moment of Jackie’s ambitions to infuse art into politics and push American culture into competing with the traditions of Europe and assume a place as the leader of the world in that sphere as well. An obsessive Francophile, Jackie kept her eye on the greatest art “prize” of Western civilization—Leonardo da Vinci’s Mona Lisa. While on a diplomatic visit to Paris, Jackie and JFK met up with Andre Malraux, the French Minister of Culture. Jackie had read many of Malraux’s works and was “powerfully drawn to his ideas about culture, humanity, and social justice,” writes Davis, forming what a friend called an “intellectual crush.” Charmed by the beautiful First Lady, Malraux (shown above with Jackie) may not have seen the request for the Mona Lisa coming, but he eventually succumbed to her charms and the chance of improving the strained post-war relations between France and the United States. It was the beginning of a beautiful friendship that would bring the most famous “lady” in art to American shores for the first, and only, time. “I am the man who accompanied Jacqueline Kennedy to Paris,” JFK joked upon returning, acknowledging his secondary status. Step two of Jackie’s charm offensive came when Malraux visited the United States in May 1962. Jackie arranged a lavish dinner in Malraux’s honor. Mark Rothko, Andrew Wyeth, and Franz Kline were invited to represent America’s great painters. Representatives from American literature, film, and music were also called upon to impress Malraux. The star of the show, however, remained Jackie. In the photo above from the event, all eyes focus on the First Lady, radiant in a shimmering pink dress. The Malraux dinner culminated the Kennedys’ program for raising the status of the arts in America. “To their way of thinking,” Davis writes, “the centuries-old tradition of public support of the arts embraced in Europe was one of the missing ingredients in American life.” The added prestige such cultural weight gave to JFK’s presidency was an intended bonus, of course. At the end of the evening, his head still spinning, Malraux whispered a promise in Jackie’s ear that the Mona Lisa would be coming to America. To circumvent Louvre officials, French President Charles de Gaulle and Malraux deemed the loan of the Mona Lisa a “personal” loan to the Kennedys. Although Jackie wooed de Gaulle, too, the hard-nosed leader saw more Cold War politics than culture in the loan. “President de Gaulle desired a gesture of solidarity to the Americans that didn’t require alterations to his independent nuclear weapon program,” Davis explains, “and the Mona Lisa, the ultimate icon of French cultural superiority, could serve as the roving ambassador of French good will.” Davis masterfully interweaves the story of the Mona Lisa’s travels with the very real dangers of the Cold War at its hottest. Knowing that discussions for the trip took place as Kennedy met the challenge of the Cuban Missile Crisis, an October when the end of the world seemed a distinct possibility, places the cultural event in a whole new perspective. Despite the Louvre’s fears that the Mona Lisa would not survive the voyage, the Mona Lisa did indeed come to the United States in December 1962. National Gallery of Art Director John Walker (shown above with Jean Chatelain, Director of the Museums of France, in front of the painting at the National Gallery, January 1963) hesitatingly accepted the duty of watching over the Mona Lisa in America. Walker, who had studied with Bernard Berenson, had helped school Jackie and JFK personally in art appreciation. Fears of being the man responsible for the destruction of the Mona Lisa led to multiple health problems for Walker, but he did not let the Kennedys down. Davis breathlessly tells the tale of how even the slightest change in temperature or humidity threatened to shatter the already cracked wood support of the Mona Lisa. You’ll find yourself on the edge of your seat, even though you know the ending.  On January 8, 1963, a gala opening at the National Gallery hosted by the President and First Lady welcomed the Mona Lisa to America. (Above, President Kennedy, Madame Malraux, Andre Malraux, Mrs. Kennedy, and a noticeably uncomfortable Vice President Lyndon Johnson surround the Mona Lisa.) In his speech at the unveiling, JFK, Davis writes, “shrewdly transformed the Mona Lisa into a symbol of the Cold War, representing Western progress in contrast to the repressive regime of the communist block.” “Politics and art, the life of action and the life of thought, the world of events and the world of imagination are one,” JFK said in closing. As Arthur Schlesinger, Jr., put it, “[JFK] saw the arts not as a distraction in the life of a nation but as something close to the heart of a nation’s purpose.” Whereas Napoleon once looted Europe and beyond and brought back those treasures to the Louvre to proclaim France as the military and cultural center of the world, JFK and Jackie “borrowed” the Mona Lisa to proclaim America and the twentieth century military and cultural center of the globe. In the 1950s, the U.S. Government tried to assert American freedom and cultural superiority through the promotion of Abstract Expressionism. In the 1960s, the Kennedys, rather than forge an American culture from scratch, simply claimed the heights of Western civilization as America’s rightful possession. After a month at the National Gallery, the Mona Lisa traveled to the Metropolitan Museum of Art in New York. (Above, a photo of the line of people waiting outside the Met to see the Mona Lisa.) Between the two venues, nearly 2 million visitors saw the great painting. Stunned by the level of interest, Walker instructed National Gallery guards to direct visitors through the rest of the museum to “let them see a little Rembrandt, too.” Before the Mona Lisa exhibition, Walker was “long a believer in the exclusivity of institutions of fine art,” according to Davis, but the public fervor converted Walker into a populist. In his speech at the Mona Lisa’s departure, Walker said, “This famous portrait stirred some impulse toward beauty in thousands of human beings who had never felt that impulse before.” Post-Mona, the National Gallery and the Met experienced continued increased attendance. Davis rightfully points to the Mona Lisa exhibition as the beginning of the blockbuster exhibition in America, and more significantly points to the indispensible role of Jacqueline Kennedy in helping create the phenomenon of the American museum as we know it today.  At the groundbreaking of the Robert Frost Library in late October 1963, JFK said the following:I look forward to an America which will reward achievements in the arts as we reward achievements in business or statecraft. I look forward to the America which will steadily raise the standards of artistic accomplishment and which will steadily enlarge cultural opportunities for all of our citizens. And I look forward to an America which commands respect throughout the world not only for its strength but for its civilization as well.One month later, JFK was dead. His and Jackie’s legacy in the arts, however, lived on. “Mona Lisa’s visit triggered a lingering national love affair with the arts in which culture was no longer the privileged domain of a few educated connoisseurs,” Davis writes, “but rather central in the life of all Americans.” Many of the children who came to see the Mona Lisa (above, at the National Gallery) became s with a continued interest in the arts. Alas, 45 years later, claims of the centrality of art in American life ring hollow. Museums now face a challenging economy as well as decades of underfunded arts education in schools and NEA scapegoating. However, if the results of the last election prove anything, it might be that Americans have grown weary with the Culture Wars of the last four decades. Perhaps the new administration will revitalize the arts and culture as part of the larger program of restoring American pride and prominence internationally. If so, then Margaret Leslie Davis’ Mona Lisa in Camelot could serve as a much-needed reminder of what once was and what could be again if someone with the vision of Jacqueline Kennedy not only dreams big, but makes it happen.[Many thanks to Da Capo Press for providing me with a review copy of Margaret Leslie Davis’ Mona Lisa in Camelot: How Jacqueline Kennedy and Da Vinci’s Masterpiece Charmed and Captivated a Nation.]Posted byBobat12:01 AM0commentsLinks to this post  Labels:Berenson (Bernard),Book Review by Bob,Da Vinci (Leonardo),Kline (Franz),Malraux (Andre),Museums,Political Art,Rembrandt,Rothko (Mark),Wyeth (Andrew)Moving Heaven and Earth When Robert Smithson tragically died in a 1973 plane crash, he literally left his legacy written upon the earth in works such as Spiral Jetty (above, from 1970). Born January 2, 1938, Smithson began as a painter, working in the Abstract Expressionist style before emulating the religious art of the Byzantines and, finally, turning to minimalist sculpture after marrying the sculptress Nancy Holt. Although minimalist in conception, Smithson’s works are often mammoth in construction. The 1,500-foot long Spiral Jetty composed of 6,550 tons of rock and earth (hauled to the lake by two dump trucks, a large tractor, and a front end loader) took only 6 days to build. On the seventh day, Smithson rested, but the Spiral Jetty has been working and evolving in its environment ever since. In 1970, the waters of the lake shone with an eerie red that caught Smithson’s eye and created a great contrast with the black basalt of the jetty itself. Over time, thanks to the salt content of the water and other environmental factors, the rocks have turned almost white and the water a pale pink. Rising waters submerged Spiral Jetty for almost 30 years. Today, oil companies looking for new deposits threaten the land nearby. Fortunately, fans of Smithson’s work and ecologically mindful parties have preserved his work and protected the land he loved.  There’s a great debate over whether Spiral Jetty should be restored. Smithson believed in the wisdom of nature’s cycles and saw beauty in entropy, so perhaps he would have approved of Spiral Jetty’s present appearance. Whether he would approve of the present state of Partially Buried Woodshed (above, pictured in the early 1970s) is another matter. In January 1970, Smithson erected a standard wooden shed on the grounds of Kent State University and buried it under twenty truckloads of earth. The shed collapsed beneath the weight of the dirt. In May of that same year, the infamous Kent State Shootings occurred in which United States National Guardsmen shot and killed four students and wounded nine others who were protesting the the American invasion of Cambodia. Soon after the shootings, someone scrawled “May 4 Kent 70” on Partially Buried Woodshed (visible in the picture above), linking the damaged structure to the damaged American social structure of the time. In 1975, arsonists burned part of the shed. In following years, Kent State officials removed parts of the shed as they fell away. Today, only the shed’s foundation and a mound of earth mark where Smithson’s work once stood. Where Partially Buried Woodshed once symbolized the shattered American edifice, it’s removal now symbolizes how America chose to forget the past rather than remember, leaving nothing to take its place. Smithson is a difficult artist to appreciate in the sense that his work is so site-specific. Pictures of Spiral Jetty don’t do justice to the work, which is all about a sense of place. Other works, such as Partially Buried Woodshed, simply no longer exist except in photographs. However, after Smithson’s death, his estate attempted to reprise some of his works for museums, including Slant Piece (above), a 1976 partial reconstruction of the 1969 Cayuga Salt Mine Project, in which Smithson set up a series of eight mirrors in the mine and another eight along the trail that led from the mine to a nearby gallery. Smithson thus brought the reality of the mine, reflected and conducted like electricity by the mirrors, into the gallery itself. Today, rock salt from the same mine surrounds the slanted mirrors in art museums, a pale reflection of the original work but at least a glimmer of once was. Like Andy Goldsworthy, Smithson made his art fully realizing that it had an expiration date. Smithson’s tragic death, like the tragic history of much of his art, reminds us that all permanence, even in art, is an illusion.Posted byBobat12:01 AM0commentsLinks to this postLabels:Goldsworth (Andy),Holt (Nancy),Political Art,Smithson (Robert)An Oasis in the Desert The Museum of Islamic Art’s main building entrance façade through the palm tree alley. Courtesy of the Museum of Islamic Art.Like an oasis, the recently opened Museum of Islamic Art (above) in Doha, Qatar rises from the desert to offer an escape from the heated rhetoric of today and promote cultural understanding through art. “The Museum of Islamic Art is dedicated to reflecting the full vitality, complexity and diversity of the arts of the Islamic world,” reads the museum’s mission statement. Spanning three continents and thirteen centuries, the collection hopes to give a fuller picture of the diversity of Islamic art, which most people mistakenly see as being as monolithic as the Islamic faith itself, which is richer and fuller than the black and white ideological battles post-9/11 portray it. Thanks to the vast wealth generated by the region’s oil resources, The Museum of Islamic Art truly is a marvel to look at. Designed by I.M. Pei, the building’s total area is 382,118 square feet, including 45,477 square feet of gallery space. I’m not sure if I’ll ever have the opportunity to travel in the Middle East, but I would definitely put this museum on my must-see list both for the collection and the building itself. The desert light plays with the geometry of the Museum of Islamic Art. Courtesy of the Museum of Islamic Art.Pei took great pains to make the museum both modern and traditionally Islamic. The Islamic love of geometrical designs, so similar to fractals, is demonstrated in the interplay of planes throughout the exterior of the museum (as shown above). The architectural images of the exterior of the museum, beneath a stunningly blue sky, beside deep blue waters, and bathed in the relentless sunlight, are simply incredible. No expense was spared in the design and execution of the museum. Even the opening gala was top shelf, with Yo-Yo Ma, my favorite classical instrumentalist, heading the entertainment bill. There’s a great clarity and cleanness to Pei’s design, which makes the most of the surrounding elements, especially the Middle Eastern sunlight, that gives the building simultaneously an Islamic as well as a universal feel. Pei appeals to the senses rather than a particular religious sensibility, helping promote the spirit of inclusion and understanding even before you walk through the door. The faceted dome of the Museum of Islamic Art features an oculus that captures and reflects sunlight. Courtesy of the Museum of Islamic Art.Once you come inside, the sunlight follows you, thanks to the oculus (above) at the top of the building’s dome. Whereas the outside of the museum offers all sharp lines and rigid geometry, the domed atrium offers a gentle curve that rises 164 feet from the floor. The dome comes as a surprise to the visitor because you cannot see it from the outside. Like the oculus of the Pantheon, the Museum of Islamic Art’s oculus immediately draws your eye upwards to the great “eye” above. Oculi abound in architecture, but the use of the oculus here immediately connects, in my mind at least, to that of the Pantheon, effectively reaching across and clasping hands with the Western tradition of art and culture represented by the Pantheon’s ancient roots and continued presence in the heart of Christendom and the Renaissance. I also appreciate the nod towards the Enlightenment, as the light literally exposes the reality of Islam and its art for all those willing to see. Illuminated Qur'an Section. Calligraphy and Illumination by Ahmad ibn Ali ibn Abi Ibrahim. Morocco, dated 1063 AH (1653-1654 AD). Ink, pigment, and gold on paper. Width 20 cm, height 26 cm. Photo credit: Nicolas Ferrando.Islamic art, of course, is first and foremost the art of the Qur’an. (An example from the museum’s collection appears above.) The Arabic writing of the Qur’an is itself an art form and a devotional appeal to Allah. With all the hyperbole and gross misrepresentations of the past seven years of the “age of terrorism,” we’ve lost sight of the reality of Islam and just how connected it is to the other major religions that have shaped the West. Islamic “extremists” certainly contribute to the fear and confusion Islam often engenders in Westerners, but we need to accept the fact that they are indeed “extremists.” The Museum of Islamic Art looks to restore the core of the Qur’an in the minds of Muslims as well as in the minds of Westerners. Looking at images of the highlights of the collection, including textiles, jewelry, and pottery, I constantly drew connections between the traditions of Islamic art and that of Greece and Rome, which I am more familiar with. In those connections between the known and the unknown, the Museum of Islamic Art looks to bring understanding and, hopefully, peace. Maqbool Fida Husain (b. 1915, India). The Three Religions of the Book (2008). Acrylic on canvas. The Museum of Contemporary Arab Art, Qatar Museums Authority.The museum’s inaugural exhibition, Beyond Boundaries, gathers special loans from other museums from around the world to “reflect the theme of cultural diversity in the heritage of the Muslim world” and to offer a fascinating counterpoint to the permanent collection. In addition to the art of the past, Beyond Boundaries offers the art of the present, such as the paintings of Indian artist M.F. Husain, a resident of Qatar. The 93-year-old Husain, the “Picasso of India,” is currently working on a cycle of 99 paintings inspired by the 99 names of Allah. Beyond Boundaries shows the first 20 paintings of the cycle in public for the first time, including Husain’s The Three Religions of the Book (above), which reconnects Christianity, Judaism, and Islam visually as they once were connected spiritually. Just as the Louvre has served as the central repository for the preservation and promotion of Western civilization for centuries, perhaps the Museum of Islamic Art will serve the same function for Middle Eastern civilization for a long time. Only time will tell, but they’re off to an auspicious start.[Many thanks to the Museum of Islamic Art for providing the images above.]Posted byBobat12:01 AM0commentsLinks to this postLabels:Architecture,Husain (M.F.),Museums,Music and Art,Pei (I.M.),Picasso (Pablo),ReligionAnd All That Jazz I always find an artist’s final works to be just as interesting, if not more so, than his or her first masterpieces. How an artist finishes seems to me as important as he or she begins. If you’re Andrew Wyeth (still alive, last time I checked), you stay the course for almost a century with your powers mostly intact. Renoir asked for brushes to be strapped to his wrists when his arthritic hands could no longer hold them. Willem De Kooning battled through Alzheimer's disease to create works of great emotion and style before slipping away. When Henri Matisse reached his seventies, infirmities made it difficult for him to hold a pencil or brush. Born December 31, 1869, Matisse refused to stop making art and began creating images by cutting out colored pieces of paper and arranging them on other colored pieces of paper. Using such childhood means, Matisse reached great artistic ends, eventually assembling in 1947 an entire book of such works he titled Jazz. Like a great jazz musician, Matisse improvised on themes from earlier in his career and created wholly new works, such as Icarus (above). Unable to paint or sculpt, Matisse’s artistic spirit grasped onto a new medium when his fingers could no longer grasp the old ones.  Even Jazz’s images of implied danger, such as The Knife Thrower (above, from 1947), don’t seem frightening or edgy in any true sense. The softness of Matisse’s cutouts, with their beautiful design and saturated colors, could lead you to think that his Jazz belongs to the Kenny G school. Matisse may be smooth, but he’s not generic, snoozy “smooth jazz.” Instead, Matisse’s smoothness is that of Coleman Hawkins, Lester Young, Ben Webster, or any of the other great jazz saxophonists who could caress the old standards and tease out untapped resources of melody without resorting to unnecessary pyrotechnics, even though they could blow the roof off when they wanted. When Peter Saul announces that he never wants his art to become “furniture,” he points a finger directly at Matisse, who famously announced that he wanted his work to be as soft as an easy chair. Certainly there’s a place and time for Saul and others to challenge the status quo, but Matisse addresses the need to find a moment of repose, to simply sit and allow life and art to wash over your senses before taking on the next project. In 1905, at the beginning of Matisse’s career, when works such as Woman with a Hat and The Green Line made him notorious, the public literally called him a beast, or Fauve in French, thus giving a name to the new style of bold, non-natural color. It seems quaint that people were once shocked by the idea of a green stripe running down a woman’s nose. Eventually, Matisse settled into a comfortable groove and gained acceptance, rivaling Picasso for the title of the greatest living artist of the twentieth century. Once Matisse found the potential for cutouts, he continued in that style for most of his remaining years. In Blue II (above, from 1952), Matisse returned to the epic s of his earlier years, but, again, smoothes out the final rough edges and delivers one final variation on a great theme. With only a series of blue shapes cut from a larger piece of paper, Matisse constructs an entire sculpture of color with discernible shape, volume, and weight. It’s pure magic, like a great musician taking a reed and his own breath and blowing a solo that sinks down to the bottom of our souls.Posted byBobat12:01 AM4commentsLinks to this postLabels:De Kooning (Willem),Matisse (Henri),Music and Art,Picasso (Pablo),Renoir (Auguste),Saul (Peter),Wyeth (Andrew)Just Chilling Like a long holiday hangover, December’s Art Poll By Bob had to eventually come to an end. When I asked the following: “Which of the following Christmas stamps from around the world says ‘Christmas’ the most to you?” Strong to the finish were... the Finnish! With 16 votes, Finland's stamps featuring familiar characters by Finnish children’s book illustrator Julia Vuori and fancy “Frosty Night,” believed to be the world's first transparent stamp (designed by Nina Rintala), carried the day. Canada followed with 10 votes, Australia and England with 8, Spain with 6, the United States with 5, Ireland with 4, and Gilbraltar garnered a solid sole vote. Thanks to everyone who voted.For the first Art Poll By Bob of 2009 I’m getting seasonal. Let me first begin by saying that winter is my least favorite season. I hate ice and snow. I hate shoveling it, driving in it, walking in it, you name it in it. (I’m not even a fan of Vanilla Ice [above], if you can believe it.) I agree that it can be beautiful to look at, but the thought of having to contend with it personally brings out the Scrooge in me. Putting personal prejudice aside, I ask, “Which of the following wintry works is the most chill to you?”:  Pieter Brueghel the Elder. Hunters in the Snow (1565). Caspar David Friedrich. The Sea of Ice (1823-1825). Andy Goldsworthy. Icicle Star (1980s). Hiroshige. Mountains and Rivers on the Kiso Road (1857).  Claude Monet. Snow at Argenteuil (1875).  John Henry Twachtman. Winter Harmony (1890-1900).  Andrew Wyeth. First Snow, Study for Groundhog Day (1959).  Vincent van Gogh. Landscape with Snow (1888).Grab a hot chocolate, sit by the fire, and pick the most chilling one of the bunch!Posted byBobat12:01 AM0commentsLinks to this postLabels:Art Poll By Bob,Brueghel (Pieter the Elder),Friedrich (Caspar David),Goldsworth (Andy),Hiroshige,Monet (Claude),Twachtman (John),Van Gogh (Vincent),Wyeth (Andrew)Brand New Day See the world in green and blueSee China right in front of youSee the canyons broken by cloudSee the tuna fleets clearing the sea outSee the Bedouin fires at nightSee the oil fields at first lightAnd see the bird with a leaf in her mouthAfter the flood all the colors came outIt was a beautiful dayDon't let it get awayBeautiful dayTouch meTake me to that other placeReach meI know I'm not a hopeless caseWhat you don't have you don't need it nowWhat you don't know you can feel it somehowWhat you don't have you don't need it nowDon't need it nowWas a beautiful day–From “Beautiful Day” by U2Annie, Alex, and I wish everyone a Happy New Year! In less than a month, a new president will be inaugurated in America and a new day will dawn on our country and the world. After so much darkness and destruction, it’s truly a beautiful day coming like the radiant light of Edvard Munch’s The Sun (above, from the Oslo University Aula decoration, 1911-1916). Yes, we did.Posted byBobat12:01 AM3commentsLinks to this postLabels:Blogging,Munch (Edvard)Merry Christmas For unto us a child is born, unto us a son is given: and the government shall be upon his shoulder: and his name shall be called Wonderful, Counsellor, The mighty God, The everlasting Father, The Prince of Peace. Isaiah 9:6Right after Thanksgiving each year, I gear up to get myself into the Christmas mood. If you pull up to a stoplight and see some nut singing at the top of his lungs to a CD of George Frideric Handel’s Messiah, especially “For Unto Us a Child Is Born…,” that might be me. I also like to mix in some Rat Pack. Bare Naked Ladies and Sarah McLachlan singing "God Rest Ye Merry Gentlemen/We Three Kings" has become a new favorite. Decorating the house and putting up the lights outside always seem like a pain at the time, but it’s worth it just to see how much Alex (above and below) enjoys all the preparations. Seeing Christmas through Alex’s eyes reminds me of what it was to be a little boy at Christmastime and what it is to believe in a wonderful world again.Annie, Alex, and I wish everyone out there a Merry Christmas, Happy Hannukhah, Blessed Eid, and Happy Kwanza! May you all have a safe, healthy, and happy holiday wherever you are. Art Blog By Bob will be on holiday hiatus until after the New Year. See you in 2009! Posted byBobat12:02 AM2commentsLinks to this postLabels:Alex,Blogging,Music and ArtOlder PostsSubscribe to:Posts (Atom)Interview With the BloggerWith Abbeville Press Which of the following wintry works is the most chill to you?See the chilly choices in this month's pollHEREAbout MeBobPhiladelphia, PA, United StatesA passionate art history amateur with an MA in English Literature (and I'm not afraid to use it).Contact: ArtBlogByBob@hotmail.comView my complete profileGetting PersonalArt Blog by Bob now on FacebookWhat I'm Reading NowJean-Dominique Rey and Denis Rouart. Monet: Water Lillies. The Complete Series.Abigail Foerstner and John Rohrbach. Barbara Crane: Challenging Vision.[SEE Barbara Crane: Challenging Vision at the Amon Carter Museum.]Walter Pater. 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Blog Archive▼ 2009(5)▼ January(5)Sophisticated LadyMoving Heaven and EarthAn Oasis in the DesertAnd All That JazzJust Chilling ► 2008(428) ► December(22)Brand New DayMerry ChristmasUtopia in a BoxNon-Required ReadingA Room of One’s OwnStriking a ChordRaiders of the Lost ArtPyramid SchemeCharacter ReferencesAnti-Idea ManNever ForgetGreen PartyThe Influence of AnxietyTower of PowerThe Art of LoveThe ChallengerConnecting the DotsWelcome to my NightmareThe God of WarThe Original MaverickSeasons GreetingsAging Gracefully ► November(33)A Time to Give ThanksVisionary CompanyBurning ManHigher EducationSitting on the Dock of the BayYour Dying KingReproductive RightsUnfinished BusinessTripping Down UnderThe Lonely CrowdStudent of NatureKnowing the PainThe Bridge to NowhereAttention to DetailThe Archaeology of KnowledgeA Moment to ReflectDreams in StoneBack to RealityA Little Night MusicNatural ProgressionsGroup EffortAnd the Winner Is…THE FINAL DAY to Get Your Loggia Hall Pass! ► October(39) ► 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href\75\47http://www.blogger.com/favicon.ico\47 rel\75\47icon\47 type\75\47image/vnd.microsoft.icon\47/\76\n\74data:blog.feedLinks\76\74/data:blog.feedLinks\76\n\74data:blog.meTag\76\74/data:blog.meTag\76\n\74data:blog.openIdOpTag\76\74/data:blog.openIdOpTag\76\n\74b:if cond\75\47data:page.isPrivate\47\76\n\74meta content\75\47NOINDEX,NOFOLLOW\47 name\75\47robots\47/\76\n\74/b:if\076'}});_WidgetManager._RegisterWidget('_LinkListView', new _WidgetInfo('LinkList6', 'sidebar',{'main': {'varName': '', 'template': '\74b:if cond\75\47data:title\47\76\74h2\76\74data:title\76\74/data:title\76\74/h2\76\74/b:if\76\n\74div class\75\47widget-content\47\76\n\74ul\76\n\74b:loop values\75\47data:links\47 var\75\47link\47\76\n\74li\76\74a expr:href\75\47data:link.target\47\76\74data:link.name\76\74/data:link.name\76\74/a\76\74/li\76\n\74/b:loop\76\n\74/ul\76\n\74b:include name\75\47quickedit\47\76\74/b:include\76\n\74/div\076'}}, document.getElementById('LinkList6'), {}, 'displayModeFull'));_WidgetManager._RegisterWidget('_PollView', new _WidgetInfo('Poll1', 'sidebar',{'main': {'varName': '', 'template': '\74div class\75\47widget-content\47 id\75\47widget-content\47\76\n\74h2\76\74data:title\76\74/data:title\76\74/h2\76\n\74iframe allowtransparency\75\47true\47 expr:height\75\47data:iframeheight\47 expr:name\75\47\46quot;poll-widget\46quot; + data:pollid\47 expr:src\75\47data:iframeurl\47 frameborder\75\0470\47 style\75\47border:none; width:100%;\47\76\74/iframe\76\n\74b:include name\75\47quickedit\47\76\74/b:include\76\n\74/div\076'}}, document.getElementById('Poll1'), {}, 'displayModeFull'));_WidgetManager._RegisterWidget('_LinkListView', new _WidgetInfo('LinkList8', 'sidebar',{'main': {'varName': '', 'template': '\74b:if cond\75\47data:title\47\76\74h2\76\74data:title\76\74/data:title\76\74/h2\76\74/b:if\76\n\74div class\75\47widget-content\47\76\n\74ul\76\n\74b:loop values\75\47data:links\47 var\75\47link\47\76\n\74li\76\74a expr:href\75\47data:link.target\47\76\74data:link.name\76\74/data:link.name\76\74/a\76\74/li\76\n\74/b:loop\76\n\74/ul\76\n\74b:include name\75\47quickedit\47\76\74/b:include\76\n\74/div\076'}}, document.getElementById('LinkList8'), {}, 'displayModeFull'));_WidgetManager._RegisterWidget('_ProfileView', new _WidgetInfo('Profile1', 'sidebar',{'main': {'varName': '', 'template': '\74b:if cond\75\47data:title !\75 \46quot;\46quot;\47\76\n\74h2\76\74data:title\76\74/data:title\76\74/h2\76\n\74/b:if\76\n\74div class\75\47widget-content\47\76\n\74b:if cond\75\47data:team \75\75 \46quot;true\46quot;\47\76\n\74ul\76\n\74b:loop values\75\47data:authors\47 var\75\47i\47\76\n\74li\76\74a expr:href\75\47data:i.userUrl\47\76\74data:i.display-name\76\74/data:i.display-name\76\74/a\76\74/li\76\n\74/b:loop\76\n\74/ul\76\n\74b:else\76\74/b:else\76\n\74b:if cond\75\47data:photo.url !\75 \46quot;\46quot;\47\76\n\74a expr:href\75\47data:userUrl\47\76\74img class\75\47profile-img\47 expr:alt\75\47data:photo.alt\47 expr:height\75\47data:photo.height\47 expr:src\75\47data:photo.url\47 expr:width\75\47data:photo.width\47/\76\74/a\76\n\74/b:if\76\n\74dl class\75\47profile-datablock\47\76\n\74dt class\75\47profile-data\47\76\74data:displayname\76\74/data:displayname\76\74/dt\76\n\74b:if cond\75\47data:showlocation \75\75 \46quot;true\46quot;\47\76\n\74dd class\75\47profile-data\47\76\74data:location\76\74/data:location\76\74/dd\76\n\74/b:if\76\n\74b:if cond\75\47data:aboutme !\75 \46quot;\46quot;\47\76\74dd class\75\47profile-textblock\47\76\74data:aboutme\76\74/data:aboutme\76\74/dd\76\74/b:if\76\n\74/dl\76\n\74a class\75\47profile-link\47 expr:href\75\47data:userUrl\47\76\74data:viewProfileMsg\76\74/data:viewProfileMsg\76\74/a\76\n\74/b:if\76\n\74b:include name\75\47quickedit\47\76\74/b:include\76\n\74/div\076'}}, document.getElementById('Profile1'), {}, 'displayModeFull'));_WidgetManager._RegisterWidget('_LinkListView', new _WidgetInfo('LinkList7', 'sidebar',{'main': {'varName': '', 'template': '\74b:if cond\75\47data:title\47\76\74h2\76\74data:title\76\74/data:title\76\74/h2\76\74/b:if\76\n\74div class\75\47widget-content\47\76\n\74ul\76\n\74b:loop values\75\47data:links\47 var\75\47link\47\76\n\74li\76\74a expr:href\75\47data:link.target\47\76\74data:link.name\76\74/data:link.name\76\74/a\76\74/li\76\n\74/b:loop\76\n\74/ul\76\n\74b:include name\75\47quickedit\47\76\74/b:include\76\n\74/div\076'}}, document.getElementById('LinkList7'), {}, 'displayModeFull'));_WidgetManager._RegisterWidget('_LinkListView', new _WidgetInfo('LinkList3', 'sidebar',{'main': {'varName': '', 'template': '\74b:if cond\75\47data:title\47\76\74h2\76\74data:title\76\74/data:title\76\74/h2\76\74/b:if\76\n\74div class\75\47widget-content\47\76\n\74ul\76\n\74b:loop values\75\47data:links\47 var\75\47link\47\76\n\74li\76\74a expr:href\75\47data:link.target\47\76\74data:link.name\76\74/data:link.name\76\74/a\76\74/li\76\n\74/b:loop\76\n\74/ul\76\n\74b:include name\75\47quickedit\47\76\74/b:include\76\n\74/div\076'}}, document.getElementById('LinkList3'), {}, 'displayModeFull'));_WidgetManager._RegisterWidget('_HTMLView', new _WidgetInfo('HTML1', 'sidebar',{'main': {'varName': '', 'template': '\74b:if cond\75\47data:title !\75 \46quot;\46quot;\47\76\n\74h2 class\75\47title\47\76\74data:title\76\74/data:title\76\74/h2\76\n\74/b:if\76\n\74div class\75\47widget-content\47\76\n\74data:content\76\74/data:content\76\n\74/div\76\n\74b:include name\75\47quickedit\47\76\74/b:include\076'}}, document.getElementById('HTML1'), {}, 'displayModeFull'));_WidgetManager._RegisterWidget('_HTMLView', new _WidgetInfo('HTML2', 'sidebar',{'main': {'varName': '', 'template': '\74b:if cond\75\47data:title !\75 \46quot;\46quot;\47\76\n\74h2 class\75\47title\47\76\74data:title\76\74/data:title\76\74/h2\76\n\74/b:if\76\n\74div class\75\47widget-content\47\76\n\74data:content\76\74/data:content\76\n\74/div\76\n\74b:include name\75\47quickedit\47\76\74/b:include\076'}}, document.getElementById('HTML2'), {}, 'displayModeFull'));_WidgetManager._RegisterWidget('_LinkListView', new _WidgetInfo('LinkList5', 'sidebar',{'main': {'varName': '', 'template': '\74b:if cond\75\47data:title\47\76\74h2\76\74data:title\76\74/data:title\76\74/h2\76\74/b:if\76\n\74div class\75\47widget-content\47\76\n\74ul\76\n\74b:loop values\75\47data:links\47 var\75\47link\47\76\n\74li\76\74a expr:href\75\47data:link.target\47\76\74data:link.name\76\74/data:link.name\76\74/a\76\74/li\76\n\74/b:loop\76\n\74/ul\76\n\74b:include name\75\47quickedit\47\76\74/b:include\76\n\74/div\076'}}, document.getElementById('LinkList5'), {}, 'displayModeFull'));_WidgetManager._RegisterWidget('_LinkListView', new _WidgetInfo('LinkList10', 'sidebar',{'main': {'varName': '', 'template': '\74b:if cond\75\47data:title\47\76\74h2\76\74data:title\76\74/data:title\76\74/h2\76\74/b:if\76\n\74div class\75\47widget-content\47\76\n\74ul\76\n\74b:loop values\75\47data:links\47 var\75\47link\47\76\n\74li\76\74a expr:href\75\47data:link.target\47\76\74data:link.name\76\74/data:link.name\76\74/a\76\74/li\76\n\74/b:loop\76\n\74/ul\76\n\74b:include name\75\47quickedit\47\76\74/b:include\76\n\74/div\076'}}, document.getElementById('LinkList10'), {}, 'displayModeFull'));_WidgetManager._RegisterWidget('_LinkListView', new _WidgetInfo('LinkList4', 'sidebar',{'main': {'varName': '', 'template': '\74b:if cond\75\47data:title\47\76\74h2\76\74data:title\76\74/data:title\76\74/h2\76\74/b:if\76\n\74div class\75\47widget-content\47\76\n\74ul\76\n\74b:loop values\75\47data:links\47 var\75\47link\47\76\n\74li\76\74a expr:href\75\47data:link.target\47\76\74data:link.name\76\74/data:link.name\76\74/a\76\74/li\76\n\74/b:loop\76\n\74/ul\76\n\74b:include name\75\47quickedit\47\76\74/b:include\76\n\74/div\076'}}, document.getElementById('LinkList4'), {}, 'displayModeFull'));_WidgetManager._RegisterWidget('_LinkListView', new _WidgetInfo('LinkList1', 'sidebar',{'main': {'varName': '', 'template': '\74b:if cond\75\47data:title\47\76\74h2\76\74data:title\76\74/data:title\76\74/h2\76\74/b:if\76\n\74div class\75\47widget-content\47\76\n\74ul\76\n\74b:loop values\75\47data:links\47 var\75\47link\47\76\n\74li\76\74a expr:href\75\47data:link.target\47\76\74data:link.name\76\74/data:link.name\76\74/a\76\74/li\76\n\74/b:loop\76\n\74/ul\76\n\74b:include name\75\47quickedit\47\76\74/b:include\76\n\74/div\076'}}, document.getElementById('LinkList1'), {}, 'displayModeFull'));_WidgetManager._RegisterWidget('_LinkListView', new _WidgetInfo('LinkList2', 'sidebar',{'main': {'varName': '', 'template': '\74b:if cond\75\47data:title\47\76\74h2\76\74data:title\76\74/data:title\76\74/h2\76\74/b:if\76\n\74div class\75\47widget-content\47\76\n\74ul\76\n\74b:loop values\75\47data:links\47 var\75\47link\47\76\n\74li\76\74a expr:href\75\47data:link.target\47\76\74data:link.name\76\74/data:link.name\76\74/a\76\74/li\76\n\74/b:loop\76\n\74/ul\76\n\74b:include name\75\47quickedit\47\76\74/b:include\76\n\74/div\076'}}, document.getElementById('LinkList2'), {}, 'displayModeFull'));_WidgetManager._RegisterWidget('_HTMLView', new _WidgetInfo('HTML3', 'sidebar',{'main': {'varName': '', 'template': '\74b:if cond\75\47data:title !\75 \46quot;\46quot;\47\76\n\74h2 class\75\47title\47\76\74data:title\76\74/data:title\76\74/h2\76\n\74/b:if\76\n\74div class\75\47widget-content\47\76\n\74data:content\76\74/data:content\76\n\74/div\76\n\74b:include name\75\47quickedit\47\76\74/b:include\076'}}, document.getElementById('HTML3'), {}, 'displayModeFull'));_WidgetManager._RegisterWidget('_BlogArchiveView', new _WidgetInfo('BlogArchive1', 'sidebar',{'main': {'varName': '', 'template': '\74b:if cond\75\47data:title\47\76\n\74h2\76\74data:title\76\74/data:title\76\74/h2\76\n\74/b:if\76\n\74div class\75\47widget-content\47\76\n\74div id\75\47ArchiveList\47\76\n\74div expr:id\75\47data:widget.instanceId + \46quot;_ArchiveList\46quot;\47\76\n\74b:if cond\75\47data:style \75\75 \46quot;HIERARCHY\46quot;\47\76\n\74b:include data\75\47data\47 name\75\47interval\47\76\74/b:include\76\n\74/b:if\76\n\74b:if cond\75\47data:style \75\75 \46quot;FLAT\46quot;\47\76\n\74b:include data\75\47data\47 name\75\47flat\47\76\74/b:include\76\n\74/b:if\76\n\74b:if cond\75\47data:style \75\75 \46quot;MENU\46quot;\47\76\n\74b:include data\75\47data\47 name\75\47menu\47\76\74/b:include\76\n\74/b:if\76\n\74/div\76\n\74/div\76\n\74b:include name\75\47quickedit\47\76\74/b:include\76\n\74/div\076'}, 'flat': {'varName': 'data', 'template': '\74ul\76\n\74b:loop values\75\47data:data\47 var\75\47i\47\76\n\74li class\75\47archivedate\47\76\n\74a expr:href\75\47data:i.url\47\76\74data:i.name\76\74/data:i.name\76\74/a\76 (\74data:i.post-count\76\74/data:i.post-count\76)\n \74/li\76\n\74/b:loop\76\n\74/ul\076'}, 'menu': {'varName': 'data', 'template': '\74select expr:id\75\47data:widget.instanceId + \46quot;_ArchiveMenu\46quot;\47\76\n\74option value\75\47\47\76\74data:title\76\74/data:title\76\74/option\76\n\74b:loop values\75\47data:data\47 var\75\47i\47\76\n\74option expr:value\75\47data:i.url\47\76\74data:i.name\76\74/data:i.name\76 (\74data:i.post-count\76\74/data:i.post-count\76)\74/option\76\n\74/b:loop\76\n\74/select\076'}, 'interval': {'varName': 'intervalData', 'template': '\74b:loop values\75\47data:intervalData\47 var\75\47i\47\76\n\74ul\76\n\74li expr:class\75\47\46quot;archivedate \46quot; + data:i.expclass\47\76\n\74b:include data\75\47i\47 name\75\47toggle\47\76\74/b:include\76\n\74a class\75\47post-count-link\47 expr:href\75\47data:i.url\47\76\74data:i.name\76\74/data:i.name\76\74/a\76\n\74span class\75\47post-count\47 dir\75\47ltr\47\76(\74data:i.post-count\76\74/data:i.post-count\76)\74/span\76\n\74b:if cond\75\47data:i.data\47\76\n\74b:include data\75\47i.data\47 name\75\47interval\47\76\74/b:include\76\n\74/b:if\76\n\74b:if cond\75\47data:i.posts\47\76\n\74b:include data\75\47i.posts\47 name\75\47posts\47\76\74/b:include\76\n\74/b:if\76\n\74/li\76\n\74/ul\76\n\74/b:loop\076'}, 'toggle': {'varName': 'interval', 'template': '\74b:if cond\75\47data:interval.toggleId\47\76\n\74b:if cond\75\47data:interval.expclass \75\75 \46quot;expanded\46quot;\47\76\n\74a class\75\47toggle\47 expr:href\75\47data:widget.actionUrl + \46quot;\46amp;action\75toggle\46quot; + \46quot;\46amp;dir\75close\46amp;toggle\75\46quot; + data:interval.toggleId + \46quot;\46amp;toggleopen\75\46quot; + data:toggleopen\47\76\n\74span class\75\47zippy toggle-open\47\76\46#9660; \74/span\76\n\74/a\76\n\74b:else\76\74/b:else\76\n\74a class\75\47toggle\47 expr:href\75\47data:widget.actionUrl + \46quot;\46amp;action\75toggle\46quot; + \46quot;\46amp;dir\75open\46amp;toggle\75\46quot; + data:interval.toggleId + \46quot;\46amp;toggleopen\75\46quot; + data:toggleopen\47\76\n\74span class\75\47zippy\47\76\n\74b:if cond\75\47data:blog.languageDirection \75\75 \46quot;rtl\46quot;\47\76\n \46#9668;\n \74b:else\76\74/b:else\76\n \46#9658;\n \74/b:if\76\n\74/span\76\n\74/a\76\n\74/b:if\76\n\74/b:if\076'}, 'posts': {'varName': 'posts', 'template': '\74ul class\75\47posts\47\76\n\74b:loop values\75\47data:posts\47 var\75\47i\47\76\n\74li\76\74a expr:href\75\47data:i.url\47\76\74data:i.title\76\74/data:i.title\76\74/a\76\74/li\76\n\74/b:loop\76\n\74/ul\076'}}, document.getElementById('BlogArchive1'), {'languageDirection': 'ltr'}, 'displayModeFull'));_WidgetManager._RegisterWidget('_LabelView', new _WidgetInfo('Label1', 'sidebar',{'main': {'varName': '', 'template': '\74b:if cond\75\47data:title\47\76\n\74h2\76\74data:title\76\74/data:title\76\74/h2\76\n\74/b:if\76\n\74div class\75\47widget-content\47\76\n\74ul\76\n\74b:loop values\75\47data:labels\47 var\75\47label\47\76\n\74li\76\n\74b:if cond\75\47data:blog.url \75\75 data:label.url\47\76\n\74span expr:dir\75\47data:blog.languageDirection\47\76\n\74data:label.name\76\74/data:label.name\76\n\74/span\76\n\74b:else\76\74/b:else\76\n\74a expr:dir\75\47data:blog.languageDirection\47 expr:href\75\47data:label.url\47\76\n\74data:label.name\76\74/data:label.name\76\n\74/a\76\n\74/b:if\76\n\74span dir\75\47ltr\47\76(\74data:label.count\76\74/data:label.count\76)\74/span\76\n\74/li\76\n\74/b:loop\76\n\74/ul\76\n\74b:include name\75\47quickedit\47\76\74/b:include\76\n\74/div\076'}}, document.getElementById('Label1'), {}, 'displayModeFull'));_WidgetManager._RegisterWidget('_HeaderView', new _WidgetInfo('Header1', 'header'));_WidgetManager._RegisterWidget('_NavbarView', new _WidgetInfo('Navbar1', 'navbar'));_WidgetManager._RegisterWidget('_BlogView', new _WidgetInfo('Blog1', 'main')); |
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